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Wednesday, November 23, 2011

Top Songs of R.E.M.

Earlier this year Michael Stipe turned 51, and his band, REM released its 15 full-length album, collapsing in Now (Warner Bros.). I very much doubt whether there ever a moment in American culture, if young people do not worship and the new favorite. But Stipe, the only independent American culture is certifiable rock legend, so original and unique that no comparison is similar career in the arts, which can actually still in the process of defining what is legend to be found. Of course, Stipe has always elided confusing genres and expectations. Together with his bandmates Peter Buck, Mike Mills and Bill Berry (who has made the group in 1997, retired), has Stipe an American band with a sound American, who Top Songs has probably one of the most successful in American public built in the last 30 years apparently invented a new kind of music out of nothing: And 'poetic, glib of mania, melancholy, post-apocalyptic hope, lyrics and choruses (if available) to resist sentimental cliche, or maudlin challenge and remain in your head for decades.

As R.E.M. Founded in Athens, Georgia, in 1980 and headed a radical, popular Nickelback Albums youth-choice alternative to mainstream pop, the group was the real thing. Today the most successful pop acts are now for promotions and product placement in her music video singing about rebellion. There is hardly a mention hours of "sold out" because the music industry is more desperate than ever to be sold. But Stipe and his companions soon have promised not to let their music used to sell goods. Instead, she lent her talents to a number of causes over the decades, from local to global environmental policy initiatives. But the real surprise is about the unlikely career as a super-Stipe not obligated to perform the hits from the golden days of his first album. In Collapse Now, with the thrust, but Party Songs sober wants to dance his Top Songs  lyrical gift, the audience and crying at the same time, and his experiments with new sounds, is considered one of the most powerful album that made REM described in recent years. Yes, this means that 31 years of existence, REM is to present new music, their best music, go ahead and discover music-making. R.E.M. also Top Songs has a collection of artists and filmmakers together to "art film" that accompany each song offers a rich hard disk for YouTube generation to create. Stipe, of course, always involved in the world of art (and is an artist on his own) and REM staff include Sophie Calle of the film, Sam Taylor-Wood (who shot her boyfriend, actor Aaron Johnson, dancing in the streets of London for the song "üBerlin") and James Franco and Jem Cohen. But perhaps what is surprising is that, although Stipe has been known for 30 years, he could still remain a mystery. This could be the triumph. He is still a man.

Tuesday, November 8, 2011

R.E.M. and Nickelback Albums

"Over the past 10 years we have, as you lose all focus in the study thought -. With no one to blame but ourselves"
By Stephen M. Deusner, March 24, 2008

R.E.M. be enshrined in our popular culture that is easy to forget that these three letters have said something different from the quartet from Athens, Georgia. Known as alternative-rock nerds and sleep therapists, an acronym derived from the word rapid eye movement, time of sleep where dreams occur. Here's how it turns out, very important, Michael Stipe songwriting. Speaking by phone from Austin would play, where the band after a late night at South by Southwest and tape an episode of Top Songs "Austin City Limits", Stipe explained the meaning of dreams in the new REM album. Emphasizing short, sharp songs, speeding updates old sounds of the band - Peter Buck Byrds riffs, the speaking voice of Michael Stipe, Mike Mills' harmonies at high altitude and drums that mimic Bill Berry incisive rhythms - from  Nickelback Albums 1980 and 90 to late 00s, Reagan and Bush I, Bush II, in the real world of dreams.

Pitchfork: What made you go with the Irish producer Nickelback Albums  Jacknife Lee for this album?

MS: It was actually kind of pinning Edge in the direction of Jacknife. He had worked with U2 and Edge thought it would be a marriage of great minds for us to go into the studio with Jacknife. I had a job on Snow Patrol and Bloc Party with enthusiasm. When we met him, was really good and just talk, so we were thrilled. Smart Guy. It seemed like a good mix.

Pitchfork: What did you get into the studio?

MS: I think he has his own style, but more than anything else is probably just an immediacy, a basic form of communication that is something that the band were  looking at Nickelback Albums  ourselves in this record [needed]. And he certainly has its sound. I think it will, anyway. It 'a little' different. He did not necessarily come from the rock and the universe so that clashes with our universe is interesting. I like the sounds that he brought with him and I like the enthusiasm he had for Party Songs  the material and helped make us what we wanted to be a great REM record. I think we came very close, you know?

Pitchfork: It seems definitely sounds like him, some of these old, maybe we did not hear a little 'and found some new context for them.

MS: I think it's something ... Hold a minute.

Wednesday, October 19, 2011

R.E.M Party Songs

"party Songs is like you in this moment you are feeling in writing.

"Mike Mills On the eve of the release of the new party Songs REM album Collapse in now was a founding member Mike Mills Street Date in a conversation about life, music, his band mates and their excellent new record. Listen Mills and find out which Nickelback Albums guest stars on the album will appear.

R.E.M. recorded this album in three cities: New Orleans, Nashville and Berlin. According to Mills, has the atmosphere and thee xperience of  Top Songs
every city the way into the record shops, unique in many ways. While in New Orleans, Mills and the band was able to absorb the local and Party Songs music, beside the old world, disturbing story of the place and the atmosphere in some of the lyrical content of the album is contradictory. While in Berlin, was Eddie Vedder encounter on tour with Pearl Jam Stadten. R.E.M. Witness the spectacle of Pearl Jam, Vedder and he ended up joining them in the studio for a guest vocal spot on the album.

Wednesday, August 10, 2011

Interview with REM’s MIchael StipeBy stevenl154



Interview with REM’s MIchael StipeBy stevenl154
Christopher Bollen/ Interview

Earlier this year, Michael Stipe turned 51, and his band, R.E.M., released its 15th full-length album, Collapse Into Now (Warner Bros.). I highly doubt that there was ever a time in American culture when youth wasn’t worshiped and the new preferred. But Stipe might be the American independent culture’s only certifiable rock legend-so original and imitable that no similar career comparison can be found in the arts-who is actually still in the process of defining what that legend is. Of course, Stipe has always been about eliding genres and confounding expectations. Along with his band members Peter Buck, Mike Mills, and Bill Berry (who retired from the group in 1997), Stipe has built an American band with an American sound that has arguably been one of the most successful among American audiences in the past 30 years, seemingly by inventing a new type of music from scratch: It’s poetic; it ranges from manic melancholy to post-apocalyptic hope; the lyrics and choruses (when there are any) resist glib, sentimental, or cloyingly defiant clichés and yet remain in the head for decades.

R.E.M. - Every Body Hurts


interview with R.E.M.


R.E.M.

R.E.M.

"In the past 10 years, we had figured out how to completely lose focus in the studio-- with no one to blame but ourselves."


by Stephen M. Deusner, posted March 24, 2008


R.E.M. have become so embedded in our popular culture that it's easy to forget that those three letters once referred to something other than the quartet from Athens, Georgia. As alt-rock nerds and sleep therapists know, the acronym derives from the term rapid eye movement, the period of sleep during which dreams occur. This is, it turns out, pretty crucial to Michael Stipe's songwriting. Speaking by phone from Austin, where the band later would play a late-night set at South by Southwest and tape an episode of "Austin City Limits", Stipe explained the significance of dreams on R.E.M.'s new album. Emphasizing short, sharp songs, Accelerate updates the band's old sounds-- Peter Buck's Byrds riffs, Michael Stipe's speaking voice, Mike Mills' high-flying harmonies, and drums that mimic Bill Berry's punchy rhythms-- from the 1980s and 90s to the late 00s, from Reagan and Bush I to Bush II, from dreams to the real world.
Pitchfork: What made you go with Irish producer Jacknife Lee for this album?
MS: It was Edge actually who kind of pushed us toward Jacknife. He had worked with U2 and Edge thought it would be a great marriage of minds for us and Jacknife to go into the studio together. I was really thrilled with the work he had done on Snow Patrol and Bloc Party. When we met him, he was really good and straight talking, so we were excited. Smart guy. It seemed like it would be a good mix.
Pitchfork: What exactly did he bring to the studio?

R.E.M. - Losing My Religion