"Over the past 10 years we have, as you lose all focus in the study thought -. With no one to blame but ourselves"
By Stephen M. Deusner, March 24, 2008
R.E.M. be enshrined in our popular culture that is easy to forget that these three letters have said something different from the quartet from Athens, Georgia. Known as alternative-rock nerds and sleep therapists, an acronym derived from the word rapid eye movement, time of sleep where dreams occur. Here's how it turns out, very important, Michael Stipe songwriting. Speaking by phone from Austin would play, where the band after a late night at South by Southwest and tape an episode of Top Songs "Austin City Limits", Stipe explained the meaning of dreams in the new REM album. Emphasizing short, sharp songs, speeding updates old sounds of the band - Peter Buck Byrds riffs, the speaking voice of Michael Stipe, Mike Mills' harmonies at high altitude and drums that mimic Bill Berry incisive rhythms - from Nickelback Albums 1980 and 90 to late 00s, Reagan and Bush I, Bush II, in the real world of dreams.
Pitchfork: What made you go with the Irish producer Nickelback Albums Jacknife Lee for this album?
MS: It was actually kind of pinning Edge in the direction of Jacknife. He had worked with U2 and Edge thought it would be a marriage of great minds for us to go into the studio with Jacknife. I had a job on Snow Patrol and Bloc Party with enthusiasm. When we met him, was really good and just talk, so we were thrilled. Smart Guy. It seemed like a good mix.
Pitchfork: What did you get into the studio?
MS: I think he has his own style, but more than anything else is probably just an immediacy, a basic form of communication that is something that the band were looking at Nickelback Albums ourselves in this record [needed]. And he certainly has its sound. I think it will, anyway. It 'a little' different. He did not necessarily come from the rock and the universe so that clashes with our universe is interesting. I like the sounds that he brought with him and I like the enthusiasm he had for Party Songs the material and helped make us what we wanted to be a great REM record. I think we came very close, you know?
Pitchfork: It seems definitely sounds like him, some of these old, maybe we did not hear a little 'and found some new context for them.
MS: I think it's something ... Hold a minute.
By Stephen M. Deusner, March 24, 2008
R.E.M. be enshrined in our popular culture that is easy to forget that these three letters have said something different from the quartet from Athens, Georgia. Known as alternative-rock nerds and sleep therapists, an acronym derived from the word rapid eye movement, time of sleep where dreams occur. Here's how it turns out, very important, Michael Stipe songwriting. Speaking by phone from Austin would play, where the band after a late night at South by Southwest and tape an episode of Top Songs "Austin City Limits", Stipe explained the meaning of dreams in the new REM album. Emphasizing short, sharp songs, speeding updates old sounds of the band - Peter Buck Byrds riffs, the speaking voice of Michael Stipe, Mike Mills' harmonies at high altitude and drums that mimic Bill Berry incisive rhythms - from Nickelback Albums 1980 and 90 to late 00s, Reagan and Bush I, Bush II, in the real world of dreams.
Pitchfork: What made you go with the Irish producer Nickelback Albums Jacknife Lee for this album?
MS: It was actually kind of pinning Edge in the direction of Jacknife. He had worked with U2 and Edge thought it would be a marriage of great minds for us to go into the studio with Jacknife. I had a job on Snow Patrol and Bloc Party with enthusiasm. When we met him, was really good and just talk, so we were thrilled. Smart Guy. It seemed like a good mix.
Pitchfork: What did you get into the studio?
MS: I think he has his own style, but more than anything else is probably just an immediacy, a basic form of communication that is something that the band were looking at Nickelback Albums ourselves in this record [needed]. And he certainly has its sound. I think it will, anyway. It 'a little' different. He did not necessarily come from the rock and the universe so that clashes with our universe is interesting. I like the sounds that he brought with him and I like the enthusiasm he had for Party Songs the material and helped make us what we wanted to be a great REM record. I think we came very close, you know?
Pitchfork: It seems definitely sounds like him, some of these old, maybe we did not hear a little 'and found some new context for them.
MS: I think it's something ... Hold a minute.
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